Edward Luyken Movies

The film begins with negative images of the destruction or etching plates. In the following scenes, we see images of construction workers, (dance)...

In the early 1980s, Edward Luyken had his own studio on the Lijnbaansgracht in Amsterdam. He also lived in the studio. In Celvast, diary images from...

Zero-One is a figurative animation film consisting of thirty short animations. Luyken consistently begins with a triangle. From this triangle, new...

Experimental film

Luyken reads aloud autobiographical texts, as we see images of a performance by Eve Heyningen as Ophelia. Around the lake are sixteen stones that...

Echelon begins with images of Luyken’s sons, who are hitting pieces of a sarcophagus. We then see images of performances that depict a disabled...

Duality is the starting point for this collection of Luyken-like associations: his two sons at different locations perform small actions; signed a...

The visual artist Luyken in his studio (in New York), in a stop-motion film in which he creates ephemeral works of art on a white wall, using paint,...

An evening of television is apparently reduced to a few minutes. The image is blue, with an occasional hint of red for contrast.

Against the background of a white wall, Luyken films two performances. The images are interspersed with one another: a man and a woman are painted...

A filmed diary that documents the period that Luyken stayed in the United States. The film consists of three parts: a half-hour filmed in New York, a...

This film is composed of ten films, some of which originally intended for display on three screens at once; the first was Berlino-Milan-Lisboa ; a...

Performance by Edward Luyken in his Paris home. Luyken wears overalls like those worn by German tank soldiers. First he plays with a kind of amulet,...

The filmmaker travels by train from France to Berlin. In six short chapters, we see the journey and the city. These are short still lives that remove...