Woody Vasulka Movies

A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...

This work is Woody's first entry into the narrative sphere, whereby the "story" is continually undermined with the aid of various anti-narrative...

This period compilation of documentaries shot with a Portapak camera from the early era of video experimentation offers an immediate view of the...

With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface

The image and sound are being simultaneously generated from a single source, which at the same time shapes the visual pattern as well as electronic...

In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the...

Soundsize continues the Vasulkas' investigation into the relationship of sound and image. Here a pattern of dots is modulated by sounds generated...

An Interface not only between two continually switched over images but also between documentary tape, imagery taken from "reality", and its...

This is an attempt to process abstract images without the use of camera. The central circle divides the creen into two parts that continually vibrate...

The Multikeyer and Scan Processor are used for creating the pulsating abstract composition showing six different cases of audio-video interface with...

One of the works assembled in the series Sketches. These early sketches, created not without the irony, examine ways of manipulating the video image....

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs for broadcast on WNED in Buffalo, New York. In the...

In this early formal experiment with analog image processing, the Vasulkas investigate multiple camera set-ups and keyers to articulate spatial,...

B&W Vasulka project with a rotating camera, keyed and alternating directions. This experiment is excerpted in their 1977 work Orbital Obsessions.

In 1977 the Vasulkas were commissioned by public television to create six half-hour programs (Steina, Objects, Digital Images, Transformations,...

Set to Holst's Mars, the Bringer of War, Bill Etra's original performance on 9 B&W monitors was shot in real-time on 16mm color film by Woody...

Description from Portable Channel catalog: "This Program is a unique broadcast presentation of the Vasulka's recent experiments with the electronic...

This symbolic journey evokes the personal creative wandering of the Vasulkas. The landscape, shot from a car window while driving in the Santa Fe...